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Printing Black America: Du Bois’s Data Portraits in the 21st Century: Portfolio 3: Employment, 2026


About the artists

Shraddha Ramani is a Brooklyn-based urbanist and researcher who uses data visualization and mapmaking as tools to make cities more resilient and equitable. She previously served as director of the GIS Data Center at New York City Emergency Management and currently works with the city’s Department of Transportation on efforts to improve equity and accessibility. Originally from Bangalore, India, her work is heavily informed by her own immigrant experience and centers on democratizing data to better equip communities to make informed decisions about their futures.

William Villalongo’s figurative paintings, works on paper and sculpture are concerned with representing the Black subject against notions of race, exploring metaphors of mythology and liberation. His work is included in the permanent collections of The National Gallery of Art, the Studio Museum In Harlem, The Whitney Museum of American Art and the Princeton University Art Museum. A recipient of the Louis Comfort Tiffany Award and the Joan Mitchell Foundation Painters & Sculptor’s Grant, he lives and works in Brooklyn, N.Y., and serves as an associate professor at The Cooper Union School of Art.

Portfolio three “EMPLOYMENT” is published by Island Press in the Sam Fox School at Washington University in St. Louis, MO. Portfolio three updates and reimagines 5 original Du Bois data portraits within the group of works. The “Employment” portfolio focuses on aspects of the Black workforce offering insights into the dynamics over time that show us how and where Black people participate in the economy. We use this as a opportunity to reflect on the legacies of slavery in relationship to labor as well as similar historic challenges specific St. Louis.

The Printing Black America Project consolidates the 65 original Du Bois visualizations into 30 visualizations. It is a total of 6 portfolios holding 5 images each. On each print there is a thumbnail image of the original Du Bois visualization the artwork has reimagined. Data sources are cited. Where necessary contextual text and legends can be found at the bottom. The titles appear in a text bubble at the top of the page.

Each original Du Bois visualization has been discussed with historian Nell I. Painter, Urbanist Shraddha Ramani and in workshops at Clark Atlanta University’s Center for Africana Digital Humanities. These discussions considered the original Du Bois inquiries, their meaning in the 21st Century creating new challenges for the future.

etching, screenprinting, chine collé, archival inkjet printing

28 x 22 inches

Foil-stamped fabric-covered portfolio containing five prints plus a screenprinted foreword by Nell Irvin Painter, acknowledgements page, poem by Langston Hughes, and title page. Edition: 20

Master Printer Tom Reed

Methods Archival inkjet
Chine-collé
Etching
Screenprinting


Included in the portfolio