Bachelor of Science and Bachelor of Arts in Architecture
We offer a rigorous architecture program within a dynamic, cross-disciplinary campus.
Our courses engage real-world sites and tackle complex social, cultural, and environmental challenges. You’ll graduate with the tools to design beautiful, innovative, and sustainable architectural environments.
WashU’s College of Architecture is ranked #3 in Niche’s rankings of Best Colleges for Architecture in America
Course of Study
We believe that you learn by doing. Whether you pursue a BS or BA degree in architecture, our program provides numerous opportunities for hands-on, real-world engagement, both in the St. Louis community and beyond.
Our program is centered around the design studio, which emphasizes craft and making. You’ll work collaboratively with your peers and faculty on projects.
What types of work do architecture students produce?
Our students explore a wide array of media and techniques in their design work, from freehand drawing to emerging digital technology. Check out a selection of recent work to get a sense of the range of projects undertaken.
Our faculty are nationally and internationally recognized in their fields—and they are deeply committed to teaching each and every student.
Undergraduate Architecture Faculty
Constance Vale (Chair) / Ryan Abendroth / Chandler Ahrens / Melisa Betts Sanders / Wyly Brown / Gia Daskalakis / Eric Ellingsen / Catalina Freixas / Patty Heyda / John Hoal / Derek Hoeferlin / Carl Karlen / Petra Kempf / Don Koster / Stephen Leet / Zeuler Lima / Bruce Lindsey / Gay Lorberbaum / Adrian Luchini / Robert McCarter / Dennis McGrath / Alexandra Mei / Allison Méndez / Robert Moore / Pablo Moyano / Eric Mumford / Kelley Van Dyck Murphy / Amela Parcic / Linda C. Samuels / Aaron Schump / Phillip Shinn / Jonathan Stitelman / Lindsey Stouffer / Hans Tursack / Nanako Umemoto / Constance Vale / Jess Vanecek / Michael Willis / Hongxi Yin
Joni P. Gordon’s multidisciplinary work confronts displacement, colorism, her ancestry, and racial identity through screen printing, paint, thread, wool, brown paper, and more.
Samantha Neu’s thesis work, Homesick, asks us to bring awareness to our bodies’ presence, inviting us to consider how we could climb or slide on the sculpture she’s created.
Micah Mickles confronts the 20th anniversary of his father’s sudden passing by rebuilding the family archive and creating an assemblage, “Rayfield,” infused with tradition and preciousness.
Hatzikos’ thesis explores water, motion, our sense of time and place. “I decided that what really mattered was exploring the longing and distance from a place I’m no longer able to access.”
Jordan Geiger’s thesis work is incredibly subtle, using white thread on white fabric. “I hope the blankness draws the viewer in and that they feel a sense of discovery as the image becomes apparent.”
Joni P. Gordon’s multidisciplinary work confronts displacement, colorism, her ancestry, and racial identity through screen printing, paint, thread, wool, brown paper, and more.
Samantha Neu’s thesis work, Homesick, asks us to bring awareness to our bodies’ presence, inviting us to consider how we could climb or slide on the sculpture she’s created.
Micah Mickles confronts the 20th anniversary of his father’s sudden passing by rebuilding the family archive and creating an assemblage, “Rayfield,” infused with tradition and preciousness.
Hatzikos’ thesis explores water, motion, our sense of time and place. “I decided that what really mattered was exploring the longing and distance from a place I’m no longer able to access.”
Jordan Geiger’s thesis work is incredibly subtle, using white thread on white fabric. “I hope the blankness draws the viewer in and that they feel a sense of discovery as the image becomes apparent.”